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In 1959, the municipality of Mostar decided to build a partisan cemetery […]This article places the Memorial Grove in Ryvangen within Danish history and the reception of WWII and argues for its particular qualities as a modernist re-working of a discredited monumental tradition […]This paper illustrates how old memories and histories are repurposed and refashioned at the India Gate, the archway located at the center of the Indian national capital, New Delhi.Although dedicated to […]This article discusses symbolic forms and the association of folklore and politics in the Riga Brethren Cemetery (Brāļu Kapi).Here is the very first excerpt of my upcoming book. How you go about finding and implementing the technology that allows you to personalize your interactions with thousands, nay millions, of customers, and what the difference is between data, information, knowledge, insight, and many others in arguably the shortest thing I've published.

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Lisätietoja muun muassa saatavilla olevista hallintamahdollisuuksista: evästekäytäntö.Alexandra Karentzos and Miriam Oesterreich from TU Darmstadt and Britta Schmitz from the National Gallery in Berlin are currently preparing a series of papers on Gottfried Lindauer's New Zealand paintings that breaks new ground in the debate on cultural transfer processes in 19th century. Flores' major work, "Arquitectura Española Contemporánea (1961)", is an important contribution to the Modern Movement in the context of the Franco regime.As a member of the Department of Military Cemeteries […]After World War II, the communist party took control of the nation-building process of the newly established Socialist Federal Republic of Yugoslavia.World War II played a major role in the narration and was reinterpreted as the People's Revolution.[…]To represent their work at major programmatic exhibitions, Hans Scharoun, Walter Gropius and Ludwig Mies van der Rohe chose single-person homes and apartments.

This type of structure was conceived specifically to accommodate the lifestyle of a modern nomad […]This article aims to investigate the possible terms and conditions that Mark Rothko imposes on the encounter between painting and viewer, especially concerning the paintings he made for the Houston Chapel, also called the Rothko Chapel, in 1965-67.

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Conceived as the central memorial for those who fell in action while fighting for the sovereignty of the Latvian people […]In Italy, the commemorative culture regarding World War II has a rather multi-faceted appearance.

This seems to be the consequence of the variety of military and civil groups involved in the Italian front as well as in the political post-war scene.

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