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Though the two adjectives overlap, Berkoff continued his "experiments" upon the boards of the world's most prestigious, and well-established, theatres as well as those on the "fringe." However, as Berkoff returns to the Edinburgh Fringe Festival almost annually, he is assured an audience, yet, there is a growing feeling that he is a member of the fringe-establishment.

In his review for The Independent, Thomas Sutcliffe observed that Messiah Berkoff's experiments with form and content often merge with his relationship to language. 1994: 30“ Steven Berkoff.” Contemporary British Dramatists Ed.

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In this manner, Berkoff uses aural effects to enhance the overall environment.

More literal parallels exist between Berkoff and fringe mainstay Lindsay Kemp, who share a heritage in mime, masks, and movement.

Many consider his rants against naturalism and all theatre critics to be fanatical.